discussion
-
Bubblegum Crisis was both revolutionary and exceptionally disappointing in its portrayal of homosexuality, or honestly, just non-hetero approaches to sexuality in general, but this is the 1980s; sexual identity was still, as a topic, very much on the binary scale, almost as if the other parts of the LGBTQIA+ didn’t exist to the larger public,
-
I am honestly unsure as to what I meant when I said I would be discussing the hardsuits. Past Me can be inscrutable. I mean, for those who don’t know, the hardsuits are basically one anime’s answer to Iron Man? But you can tell they’re for girls because high heels (hardcore eyeroll here). But here’s
-
You know, I don’t think you’re ever prepared to see Saturn’s return. Every 25 years or so, everything sort of returns to its default setting, and you have to deal with the shit you hadn’t or have been avoiding or didn’t even realize you were struggling with. My 25th year of life was 2009, but
-
I am going to sum this up to avoid a tldr: I love the originals, the prequels are terrible yet enjoyable for the most part (almost in a spiteful way), and the sequels are … their own thing. Now for the longer version: It’s difficult to compare the three trilogies: they’re products of different times
-
When I first started watching Xena: Warrior Princess, I was fairly young, so gender wasn’t really something that I paid much attention to. A show’s ability to entertain me was my primary focus, and it didn’t matter to me what gender the main characters were. As I got older, though, I started to see patterns